ARTWORKS
WORKS on GLASS
no. 8118 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
Threshold of Regeneration is constructed through repetition and return. Layers accumulate without erasing what came before. Damage, error, and adjustment remain visible.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Threshold of Regeneration
no. 8338 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Conceived Urgency, the image is compressed rather than accelerated. Layers are pushed close together, limiting space for rest. Color and form press forward simultaneously.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Conceived Urgency
no. 8738 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Shrinking Doze, the image holds, but with less certainty. Its structure remains, yet its claim weakens. What persists is a surface in negotiation,
a diminished dose, still active.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Shrinking Doze
no. 8888 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
Evaporated Inferno holds intensity without spectacle. Intensity is present without ignition. Color holds residual heat rather than force. What remains is trace rather than event.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Evaporated Inferno
no. 8558 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Velvet Violations. The surface appears ordered but does not settle. Soft transitions disrupt structural clarity. Configuration is disturbed from within. The image remains intact but altered.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Velvet Violations
no. 8778 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Altered Pendulum, the image moves between repetition and deviation. Forms recur, but never identically. Inheritance is modified through motion.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Altered Pendulum
no. 8097 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
Resources in Reverse proposes a system where output comes before input, where reaction arrives before the origin. The image resists linear construction.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Resources in Reverse
no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )
Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Bleed Godspeed
no. 8868 - 2024 © (60 x 90 cm./ 24 x 35 in.)
In Fractures, is a subtle deviation, the image does not break apart; it shifts. A subtle misalignment runs through the surface, a tension between layers that no longer fully coincide.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Fractures
Prelude
no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )
Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Encapsulated Claims
no. 8968 - 2024 © (60 x 90 cm. / 24 x 35 in.)
In Encapsulated Claims, the image is tightly contained. Pressure builds within defined limits. Instability is held rather than released. Containment becomes part of the structure
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Arise
no. 8698 - 2024 © (60 x 90 cm. / 23.6 x 35.4 in.)
Arise, a fleeting instant, once discarded, becomes radiant through glass, pigment, and light. Layer by layer, fragments of time are transformed into luminous abstractions. Each work is both surface and depth, an echo of the unconscious, where accident and intention converge
Mixed media: oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Quantum
8062 - 2024 © (60 × 90 cm. / 24 × 35 in. )
Quantum operates through fragmentation and probability. The image does not resolve into a single state. Multiple readings remain active. Observation alters what comes forward.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Linger
no. 8778 - 2024 © (60 × 90 cm. / 24 × 35 in. )
In Linger, the surface appears still but remains active. Small shifts occur through light and viewing position. Movement exists without gesture. Attention activates the image.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
Beyond
no. 8778 - 2024 © (60 × 90 cm. / 24 × 35 in.)
Beyond avoids confirmation. Forms resist clear interpretation. Certainty is withheld. The surface remains open.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
Urgent Distraction
no. 8118 - 2024 © (40 × 60 cm. / 16 × 24 in.)
Urgent Distraction mirrors the fractured attention of contemporary perception. Multiple elements compete across the surface.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Entropy
no. 8198 - 2024 © (40 × 60 cm. / 16 × 24 in.)
Entropy traces the slow drift toward disorder. The surface loosens gradually. Edges soften, systems drift. Change is incremental. Disorder is accepted.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Path
no. 8175 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Path unfolds as a sequence rather than a destination.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Way
no. 8159 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Way is not concerned with arrival but with orientation. The image develops through small shifts and measured returns, where direction is suggested rather than imposed. Each layer responds to the last, carrying forward both intention and deviation.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Between
no. 8160 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Between holds the image in suspension. The work is formed through layered adjustments, where no single state is allowed to finalize.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
Here
no. 8161 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Here is anchored in immediacy. The image is built through repetition and return, holding attention on what is already present rather than what might come next. Each layer affirms the surface as a site of staying.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
WORKS on CANVAS
Phantom
no. 81 - 2025 © (52 × 62 cm.)
Phantom explores vulnerability not as a lack but as a complex structure. The surface is carefully assembled but never fully aligned. Small shifts prevent the image from settling.
Mixed media:
Oil, acrylics, and lacquer on canvas. Mounted on a solid oak frame.
Size: 52 × 62 cm.
1 of 1 original artwork accompanied by a certificate of authenticity.
Sun Consumed
no. 89 - 2025 © (52,5 × 63 cm.)
In Sun Consumed, light turns inward. Exposure saturates the surface. Illumination erodes rather than reveals. The image absorbs itself.
Mixed media:
Oil, acrylics, chalk, natural pigments, and lacquer on canvas. (possibility of being mounted on a solid oak stretcher frame)
Size: 52,5 × 63 cm
1 of 1 Original artwork accompanied by a certificate of authenticity.
Deep End
no. 88 - 2025 © (53 × 62 cm.)
In Deep End, depth overwhelms surface. Orientation is partial. The image exceeds stable footing. Control is suspended.
Mixed media: Oil, acrylics, and lacquer on canvas.
Size: 53 × 62 cm
1 of 1 original artwork accompanied by a certificate of authenticity.
Liquid
no. 87 - 2025 © (62 × 52 cm.)
In Liquid, form remains unstable. Edges soften and drift. The surface behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas. (possibility of being mounted on a solid oak stretcher frame)
Size: 62 × 52 cm
1 of 1 original artwork accompanied by a certificate of authenticity.
Mar
no. 93 - 2025 © (40 × 50 cm.)
In Sol y Mar, the horizons soften and drift as the sea the work behave y s fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
1 of 1 original artwork accompanied by a certificate of authenticity.
Sol
no. 94 - 2025 © (40 × 50 cm.)
In Sol, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
1 of 1 original artwork accompanied by a certificate of authenticity.
Slight
no. 99 - 2025 © (120 × 190 cm.)
In Slight, the horizons soften and drift as the sun and sea the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
1 of 1 original artwork accompanied by a certificate of authenticity.
Whirl
no. 78 - 2026 © (120 × 190 cm.)
The horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
1 of 1 original artwork accompanied by a certificate of authenticity.
Erosions
no. 69 - 2025 © (69 × 53 cm.)
These paired works examine erosion as collaboration. Material change is allowed to occur. Surface degradation remains visible. Time interferes with intention. Erosion contributes to form.
Mixed media:
Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
Size: 69 × 53 cm for each item.
Diptych—Two original artworks accompanied by a certificate of authenticity. Price for each item.
Fleeing waves
no. 67 - 2026 © (160 × 150 cm.)
In Fleeing waves, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
1 of 1 original artwork accompanied by a certificate of authenticity.
Above so below
no. 32 - 2026 © (119 × 78 cm.) & no. 35 - 2026 © (119 × 70 cm.)
In these, transformation is momentary. What disappears leaves residue. The image changes without concealment. These work treats light as structure. Light structures the surface. Glow and shadow remain unstable. Illumination is organized but fragile.
Mixed media:
Oil, acrylics, and lacquer on canvas.
Size: 119 × 78 cm. & Size: 119 × 70 cm.
2 of 2 original artwork accompanied by a certificate of authenticity.
Requiem
no. 77 - 2026 © (190 × 150 cm.)
In Supernova, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas.
1 of 1 original artwork accompanied by a certificate of authenticity.
WORKS on Durable Nubuck deadstock fabric
Transforma
no. 62 - 2026 © (330 × 180 cm.)
In Transforma, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on durable nubuck fabric (deadstock carpet)
1 of 1 original artwork accompanied by a certificate of authenticity.
Infinite
no. 63 - 2026 © (430 × 180 cm.)
In Infinite, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on durable nubuck fabric (deadstock carpet)
1 of 1 original artwork accompanied by a certificate of authenticity.
WORKS on Dibond & Cardboard
Tranquil
no. 61 - 2026 © (200 × 150 cm.)
In Tranquil, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas/dibond board.
1 of 1 original artwork accompanied by a certificate of authenticity.
Incognito
no. 66 - 2026 © (80 × 130 cm.)
Incognito, the work behaves soften and drift.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on cardboard.
1 of 1 original artwork accompanied by a certificate of authenticity.
WORKS on Archival Paper
Relief
no. 802 - 2025 © (49,7×64,5 cm.)
Relief is a pause in the pressure. A warmth that finally lets go. The moment intensity becomes breathable.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Tender
no. 801 - 2025 © (49,7×64,5 cm.)
Tenderness has built-in layers kept visible and a warmth that doesn’t need to explain itself.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Longing
no. 811 - 2025 © (49,7×64,5 cm.)
Longing, not wanting something back but wanting it to stay. Hesitation between arrival and retreat.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Surrender
no. 893 - 2025 © (49,7×64,5 cm.)
Surrender, release without defeat. A soft yes to what is and what can’t be controlled.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Aches
no. 846 - 2025 © (49,7×64,5 cm.)
Ache, a proof of contact. What remains of matter, something missing, still present, but can’t be undone.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Yearning
no. 893 - 2025 © (49,7×64,5 cm.)
Yearning, desire stretched into time… A reaching that doesn’t close, it keeps the distance alive.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Calm
no. 804 - 2025 © (49,7×64,5 cm.)
Calm is a pause with weight. Nothing fixed, just finally stable enough to stay.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Hope
no. 809 - 2025 © (49,7×64,5 cm.)
Hope, not optimism… but orientation. A lift inside the weight. Light that doesn’t erase what it passes through.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Quiet
no. 817 - 2025 © (49,7×64,5 cm.)
Quiet, the signal is still there… just turned down to the point where it can be felt.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
1 of 1 original artwork accompanied by a certificate of authenticity.
Ease
no. 851 - 2025 © (49,7×64,5 cm.)
Ease, a letting-go that doesn’t abandon what mattered. The pressure drops, and what’s left can finally breathe.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
Renewal
no. 881 - 2025 © (49,7×64,5 cm.)
Renewal, a reset that keeps its memory. What survives the break is reorganized and returned with responsibility.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
1 of 1 original artwork accompanied by a certificate of authenticity.
Friction
no. 871 - 2025 © (49,7×64,5 cm.)
Friction, a pull between what resists and what insists. Heat produced by contact, the moment change starts to happen.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
1 of 1 original artwork accompanied by a certificate of authenticity.
Courage
no. 861 - 2025 © (49,7×64,5 cm.)
Courage, a steady choice under pressure. Staying open without certainty and moving anyway.
Mixed media:
Archival paper with oil, acrylic, natural pigment, and chalk.
(Possibility of framing, as pictured behind glass)
1 of 1 original artwork accompanied by a certificate of authenticity.
WORKS on Thermal emergency space blanket
Thermal
no. 668 - 2024 © (200 × 200 cm.)
Thermal, the work behaves soften and drift.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on Thermal emergency space blanket.
1 of 1 original artwork accompanied by a certificate of authenticity.
WORKS on Archival Photographic paper
Four way
no. 666 - 2024 © (20 × 35 cm.)
Four way.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on Archival Photographic paper.
1 of 1 original artwork accompanied by a certificate of authenticity.
Intermezzo
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Friction
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Ego
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Ease
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Ache
no. 350 - 2025 © (10x15 cm.)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Long Current
no. 351 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Long Passage
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point I
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point II
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point III
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XXX
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point IIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point V
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VI
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VIIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point X
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XI
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XIIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XV
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XVI
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XVII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XVIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XX
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Transmission
no. 669 - 2026 © (20 × 35 cm.)
Glow, Transmission the work behaves soft drift.
Mixed media: Oil, acrylics, chalk, natural pigments, polaroid and lacquer on Archival Photographic paper.
1 of 1 original artwork accompanied by a certificate of authenticity.
Relay
no. 668 - 2026 © (20 × 35 cm.)
Glow, the work behaves soften and drift.
Mixed media: Oil, acrylics, chalk, natural pigments, polaroid and lacquer on Archival Photographic paper.
1 of 1 original artwork accompanied by a certificate of authenticity.
VIDEO WORKS
Landscapes of Reflections
no. 8 - 2026 © (Multimedia video work)
1 of 1 original artwork accompanied by a certificate of authenticity.
Landscapes of Reflections
no. 5 - 2026 © (Multimedia video work)
1 of 1 original artwork accompanied by a certificate of authenticity.
Landscapes of Reflections
no. 7 - 2026 © (Multimedia video work)
1 of 1 original artwork accompanied by a certificate of authenticity.
Landscapes of Reflections
no. 9 - 2026 © (Multimedia video work)
1 of 1 original artwork accompanied by a certificate of authenticity.
Landscapes of Reflections
no. 10 - 2026 © (Multimedia video work)
1 of 1 original artwork accompanied by a certificate of authenticity.