MIXED MEDIA WORKS
Infinite
no. 63 - 2024 © (430 × 180 cm.)
In Infinite, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on durable nubuck fabric (deadstock carpet)
1 of 1 original artwork accompanied by a certificate of authenticity.
Transforma
no. 62 - 2024 © (330 × 180 cm.)
In Transforma, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on durable nubuck fabric (deadstock carpet)
1 of 1 original artwork accompanied by a certificate of authenticity.
Tranquil
no. 61 - 2024 © (200 × 150 cm.)
In Tranquil, the horizons soften and drift as the sun the work behaves fluidly.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on canvas/dibond board.
1 of 1 original artwork accompanied by a certificate of authenticity.
Incognito
no. 66 - 2024 © (80 × 130 cm.)
Incognito, the work behaves soften and drift.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on cardboard.
1 of 1 original artwork accompanied by a certificate of authenticity.
Thermal
no. 668 - 2024 © (200 × 200 cm.)
Thermal, the work behaves soften and drift.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on Thermal emergency space blanket.
1 of 1 original artwork accompanied by a certificate of authenticity.
Transmission
no. 669 - 2026 © (20 × 35 cm.)
Glow, Transmission the work behaves soft drift.
Mixed media: Oil, acrylics, chalk, natural pigments, polaroid and lacquer on Archival Photographic paper.
1 of 1 original artwork accompanied by a certificate of authenticity.
Relay
no. 668 - 2026 © (20 × 35 cm.)
Glow, the work behaves soften and drift.
Mixed media: Oil, acrylics, chalk, natural pigments, polaroid and lacquer on Archival Photographic paper.
1 of 1 original artwork accompanied by a certificate of authenticity.
Long Passage
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Long Current
no. 351 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Four way
no. 666 - 2024 © (20 × 35 cm.)
Four way.
Mixed media: Oil, acrylics, chalk, natural pigments, and lacquer on Archival Photographic paper.
1 of 1 original artwork accompanied by a certificate of authenticity.
Friction
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Intermezzo
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Ego
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Ease
no. 350 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Ache
no. 350 - 2025 © (10x15 cm.)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point I
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point II
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point III
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point IIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point V
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VI
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point VIIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point X
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XI
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XIIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XV
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XVI
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XVII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XVIII
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.
Tipping Point XX
no. 340 - 2025 © (10x15 cm. each)
Starting as a photograph, the image is treated as a surface, something to be pushed, blurred, and restated. Oil and acrylic move across it in layers, dragging the photograph out of certainty and into a zone where it starts to behave more like memory than evidence.
It’s part of an ongoing series of investigations into fragility, perception, and the impermanence of the image. Through exposure, disturbance, and return, the work loosens the photograph’s authority, shifting it from representation into resonance.
Mixed media:
Oil and acrylics painted on archival photographic paper, expired 35 mm photographic film printed with 10-color pigment inks. (Possibility of framing)
Size: 10x15 cm each item
Please note the price for each artwork, unframed.
1 of 1 original artworks accompanied by a certificate of authenticity.