WORKS on GLASS

An art gallery with several colorful abstract paintings on white walls, with a large yellow-orange painting in the foreground, and a blue and red painting in the background, hanging from the ceiling.

no. 8888 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

Evaporated Inferno holds intensity without spectacle. Intensity is present without ignition. Color holds residual heat rather than force. What remains is trace rather than event.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Evaporated Inferno

Interior view of an art gallery or exhibition space featuring three large red and orange gradient paintings or sculptures hanging from the ceiling with visible piping and large windows in the background.

no. 8738 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Shrinking Doze, the image holds, but with less certainty. Its structure remains, yet its claim weakens. What persists is a surface in negotiation,
a diminished dose, still active.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Shrinking Doze

Abstract art piece featuring a sunset with orange, black, and white horizontal bands, hanging in a room with white pipes and gray curtains.

no. 8118 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

Threshold of Regeneration is constructed through repetition and return. Layers accumulate without erasing what came before. Damage, error, and adjustment remain visible.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Threshold of Regeneration

An abstract painting with gradient shades of orange and red, hanging on a white gallery wall.

no. 8338 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Conceived Urgency, the image is compressed rather than accelerated. Layers are pushed close together, limiting space for rest. Color and form press forward simultaneously.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Conceived Urgency

Abstract artwork with horizontal bands of warm colors, ranging from white and orange at the top to deep red and dark purple at the bottom. Framed and displayed on a white gallery wall.

no. 8558 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Velvet Violations. The surface appears ordered but does not settle. Soft transitions disrupt structural clarity. Configuration is disturbed from within. The image remains intact but altered.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Velvet Violations

An abstract art piece featuring a large, vivid blue square with a smaller vertical stripe in a slightly darker shade of blue on the left side, mounted on a white wall.

no. 8097 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

Resources in Reverse proposes a system where output comes before input, where reaction arrives before the origin. The image resists linear construction.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Resources in Reverse

A large abstract artwork with a gradient of green shades, displayed on a white gallery wall.

no. 8778 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Altered Pendulum, the image moves between repetition and deviation. Forms recur, but never identically. Inheritance is modified through motion.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Altered Pendulum

Abstract colorful artwork with gradient green, pink, and red tones on a canvas mounted on a white wall.

Quantum

8062 - 2024 © (60 × 90 cm. / 24 × 35 in. )

Quantum operates through fragmentation and probability. The image does not resolve into a single state. Multiple readings remain active. Observation alters what comes forward.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Colorful abstract artwork on a gallery wall resembling a building facade with arched windows.

Beyond

no. 8778 - 2024 © (60 × 90 cm. / 24 × 35 in.)

Beyond avoids confirmation. Forms resist clear interpretation. Certainty is withheld. The surface remains open.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork in an edition of 3, accompanied by a certificate of authenticity.

Abstract painting with blue gradient and yellow brushstroke on a white wall.

Linger

no. 8778 - 2024 © (60 × 90 cm. / 24 × 35 in. )

In Linger, the surface appears still but remains active. Small shifts occur through light and viewing position. Movement exists without gesture. Attention activates the image.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork in an edition of 3, accompanied by a certificate of authenticity.

Gallery with three large abstract art panels featuring vibrant orange and yellow hues, displayed on a white wall in an art space with a glossy floor.

no. 8868 - 2024 © (60 x 90 cm./ 24 x 35 in.)

In Fractures, is a subtle deviation, the image does not break apart; it shifts. A subtle misalignment runs through the surface, a tension between layers that no longer fully coincide.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Fractures

Abstract artwork with gradient colors on a white wall.

no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )

Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Bleed Godspeed

A colorful gradient sunset sky over a dark horizon.

Prelude

no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )

Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Construction site wall with drywall installed, but not yet finished, with a pink and orange poster attached to it. The floor is unfinished concrete.

Encapsulated Claims

no. 8968 - 2024 © (60 x 90 cm. / 24 x 35 in.)

In Encapsulated Claims, the image is tightly contained. Pressure builds within defined limits. Instability is held rather than released. Containment becomes part of the structure

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

An abstract digital artwork with vibrant colors, featuring a gradient of purple, pink, red, orange, black, and blue, creating a visually striking composition.

Arise

no. 8698 - 2024 © (60 x 90 cm. / 23.6 x 35.4 in.)

Arise, a fleeting instant, once discarded, becomes radiant through glass, pigment, and light. Layer by layer, fragments of time are transformed into luminous abstractions. Each work is both surface and depth, an echo of the unconscious, where accident and intention converge

Mixed media: oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork accompanied by a certificate of authenticity.

Abstract painting with gradient of orange to red, hung on a white gallery wall.

Entropy

no. 8198 - 2024 © (40 × 60 cm. / 16 × 24 in.)

Entropy traces the slow drift toward disorder. The surface loosens gradually. Edges soften, systems drift. Change is incremental. Disorder is accepted.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork accompanied by a certificate of authenticity.

Abstract artwork with blurred horizontal color layers including blue, orange, and black, hanging on a white wall in a gallery setting.

Urgent Distraction

no. 8118 - 2024 © (40 × 60 cm. / 16 × 24 in.)

Urgent Distraction mirrors the fractured attention of contemporary perception. Multiple elements compete across the surface.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork accompanied by a certificate of authenticity.

A flat-screen television mounted on a white wall, reflecting parts of a room including windows and a green light.

Way

no. 8159 - 2024 © (50 × 30 cm. / 20 × 12 in.)

Way is not concerned with arrival but with orientation. The image develops through small shifts and measured returns, where direction is suggested rather than imposed. Each layer responds to the last, carrying forward both intention and deviation.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork accompanied by a certificate of authenticity.

An abstract digital artwork displayed on a wall, featuring a large dark rectangle with a reflective surface, set against a colorful, cloudy sky background.

Path

no. 8175 - 2024 © (50 × 30 cm. / 20 × 12 in.)

Path unfolds as a sequence rather than a destination.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Close-up of a warm glowing fireplace with a blurred background.

Between

no. 8160 - 2024 © (50 × 30 cm. / 20 × 12 in.)

Between holds the image in suspension. The work is formed through layered adjustments, where no single state is allowed to finalize.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork in an edition of 3, accompanied by a certificate of authenticity.

A rectangular, glossy, reddish-brown art piece mounted on a white textured wall.

Here

no. 8161 - 2024 © (50 × 30 cm. / 20 × 12 in.)

Here is anchored in immediacy. The image is built through repetition and return, holding attention on what is already present rather than what might come next. Each layer affirms the surface as a site of staying.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork in an edition of 3, accompanied by a certificate of authenticity.