WORKS on GLASS
no. 8888 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
Evaporated Inferno holds intensity without spectacle. Intensity is present without ignition. Color holds residual heat rather than force. What remains is trace rather than event.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Evaporated Inferno
no. 8738 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Shrinking Doze, the image holds, but with less certainty. Its structure remains, yet its claim weakens. What persists is a surface in negotiation,
a diminished dose, still active.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Shrinking Doze
no. 8118 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
Threshold of Regeneration is constructed through repetition and return. Layers accumulate without erasing what came before. Damage, error, and adjustment remain visible.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Threshold of Regeneration
no. 8338 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Conceived Urgency, the image is compressed rather than accelerated. Layers are pushed close together, limiting space for rest. Color and form press forward simultaneously.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Conceived Urgency
no. 8558 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Velvet Violations. The surface appears ordered but does not settle. Soft transitions disrupt structural clarity. Configuration is disturbed from within. The image remains intact but altered.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Velvet Violations
no. 8097 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
Resources in Reverse proposes a system where output comes before input, where reaction arrives before the origin. The image resists linear construction.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Resources in Reverse
no. 8778 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)
In Altered Pendulum, the image moves between repetition and deviation. Forms recur, but never identically. Inheritance is modified through motion.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Altered Pendulum
Quantum
8062 - 2024 © (60 × 90 cm. / 24 × 35 in. )
Quantum operates through fragmentation and probability. The image does not resolve into a single state. Multiple readings remain active. Observation alters what comes forward.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Beyond
no. 8778 - 2024 © (60 × 90 cm. / 24 × 35 in.)
Beyond avoids confirmation. Forms resist clear interpretation. Certainty is withheld. The surface remains open.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
Linger
no. 8778 - 2024 © (60 × 90 cm. / 24 × 35 in. )
In Linger, the surface appears still but remains active. Small shifts occur through light and viewing position. Movement exists without gesture. Attention activates the image.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
no. 8868 - 2024 © (60 x 90 cm./ 24 x 35 in.)
In Fractures, is a subtle deviation, the image does not break apart; it shifts. A subtle misalignment runs through the surface, a tension between layers that no longer fully coincide.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Fractures
no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )
Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Bleed Godspeed
Prelude
no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )
Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Encapsulated Claims
no. 8968 - 2024 © (60 x 90 cm. / 24 x 35 in.)
In Encapsulated Claims, the image is tightly contained. Pressure builds within defined limits. Instability is held rather than released. Containment becomes part of the structure
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Arise
no. 8698 - 2024 © (60 x 90 cm. / 23.6 x 35.4 in.)
Arise, a fleeting instant, once discarded, becomes radiant through glass, pigment, and light. Layer by layer, fragments of time are transformed into luminous abstractions. Each work is both surface and depth, an echo of the unconscious, where accident and intention converge
Mixed media: oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Entropy
no. 8198 - 2024 © (40 × 60 cm. / 16 × 24 in.)
Entropy traces the slow drift toward disorder. The surface loosens gradually. Edges soften, systems drift. Change is incremental. Disorder is accepted.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Urgent Distraction
no. 8118 - 2024 © (40 × 60 cm. / 16 × 24 in.)
Urgent Distraction mirrors the fractured attention of contemporary perception. Multiple elements compete across the surface.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Way
no. 8159 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Way is not concerned with arrival but with orientation. The image develops through small shifts and measured returns, where direction is suggested rather than imposed. Each layer responds to the last, carrying forward both intention and deviation.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork accompanied by a certificate of authenticity.
Path
no. 8175 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Path unfolds as a sequence rather than a destination.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork, accompanied by a certificate of authenticity.
Between
no. 8160 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Between holds the image in suspension. The work is formed through layered adjustments, where no single state is allowed to finalize.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
Here
no. 8161 - 2024 © (50 × 30 cm. / 20 × 12 in.)
Here is anchored in immediacy. The image is built through repetition and return, holding attention on what is already present rather than what might come next. Each layer affirms the surface as a site of staying.
Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass.
Original artwork in an edition of 3, accompanied by a certificate of authenticity.
