'Accident & Intention'
Frederik Erfurt

A fleeting instant, once discarded, becomes radiant through glass, pigment, and light. Layer by layer, fragments of time are transformed into luminous abstractions. Each work is both surface and depth, an echo of the unconscious, where accident and intention converge.

This new body of glass works unfolds as a dialogue between fragility and transcendence, where color, light, and material become conduits of the unconscious. Each piece emerges from a process of layered experimentation, involving the exposure of photographic film to light, archival pigment prints, and the direct application of oil and acrylic paint to diamond glass, creating compositions that shift between accident and intention.

These works embody the elusive moment: an unrepeatable instant, often dismissed, yet charged with hidden meaning. Through the interplay of transparency and opacity, they invite the viewer to perceive not only surface but also depth, a visual echo of the psyche’s inner strata. Drawing inspiration from Jung’s ideas of individuation and the existential search for meaning, the works transform fragments of time into luminous abstractions. They are more depictions than revelations, thresholds where the unconscious is given form through color, gesture, and light. The artworks capture the fleeting instant, an analog fragment of time that might otherwise dissolve into obscurity, transforming it into something both luminous and enduring. 

Accident & Intention

by Frederik Erfurt

Exhibition
OCT, 2025
JUBO STUDIO
Copenhagen

for inquiries, please reach out to contact@frederikerfurt.com

Evaporated Inferno

no. 8888 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

Evaporated Inferno holds intensity without spectacle. Intensity is present without ignition. Color holds residual heat rather than force. What remains is trace rather than event.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Shrinking Doze

no. 8738 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Shrinking Doze, the image holds, but with less certainty. Its structure remains, yet its claim weakens. What persists is a surface in negotiation,
a diminished dose, still active.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Conceived Urgency

no. 8338 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Conceived Urgency, the image is compressed rather than accelerated. Layers are pushed close together, limiting space for rest. Color and form press forward simultaneously.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Threshold of Regeneration

no. 8118 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

Threshold of Regeneration is constructed through repetition and return. Layers accumulate without erasing what came before. Damage, error, and adjustment remain visible.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Velvet Violations

no. 8558 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Velvet Violations. The surface appears ordered but does not settle. Soft transitions disrupt structural clarity. Configuration is disturbed from within. The image remains intact but altered.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Resources in Reverse

no. 8097 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

Resources in Reverse proposes a system where output comes before input, where reaction arrives before the origin. The image resists linear construction.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Altered Pendulum

no. 8778 - 2024 © (80 x 120 cm. / 31.5 x 47.2 in.)

In Altered Pendulum, the image moves between repetition and deviation. Forms recur, but never identically. Inheritance is modified through motion.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Fractures

no. 8868 - 2024 © (60 x 90 cm./ 24 x 35 in.)

In Fractures, is a subtle deviation, the image does not break apart; it shifts. A subtle misalignment runs through the surface, a tension between layers that no longer fully coincide.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Encapsulated Claims

no. 8968 - 2024 © (60 x 90 cm. / 24 x 35 in.)

In Encapsulated Claims, the image is tightly contained. Pressure builds within defined limits. Instability is held rather than released. Containment becomes part of the structure

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Arise

no. 8698 - 2024 © (60 x 90 cm. / 23.6 x 35.4 in.)

Arise, a fleeting instant, once discarded, becomes radiant through glass, pigment, and light. Layer by layer, fragments of time are transformed into luminous abstractions. Each work is both surface and depth, an echo of the unconscious, where accident and intention converge

Mixed media: oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork accompanied by a certificate of authenticity.

Bleed Godspeed

no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )

Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

Prelude

no. 8838 - 2024 © (60 x 90 cm. / 24 × 35 in. )

Bleed Godspeed traces motion through residue, not momentum. Movement appears through residue rather than direction. Color carries the trace of motion.

Mixed media:
Oil and acrylics on 4 mm crystal clear diamond glass. Hahnemühle Fine Art Giclée archival paper, expired 35 mm photographic film printed with 10-color pigment inks, mounted behind glass. 

Original artwork, accompanied by a certificate of authenticity.

'Accident & Intention' by Frederik Erfurt

for inquiries, please reach out to contact@frederikerfurt.com